Charles Bukowski – close to greatness

at one stage in my life
I met a man who claimed to have
visited Pound at St. Elizabeth's.

then I met a woman who not only
claimed to have visited
E.P.
but also to have made love
to him—she even showed
me
certain sections in the
Cantos
where Ezra was supposed to have
mentioned
her.

so there was this man and
this woman
and the woman told me
that Pound had never
mentioned a visit from this
man
and the man claimed that the
lady had had nothing to do
with the
master
that she was a
charlatan

and since I wasn't a
Poundian scholar
I didn't know who to
believe
but one thing I do
know: when a man is
living
many claim relationships
that are hardly
so
and after he dies, well,
then it's everybody's
party.

my guess is that Pound
knew neither the lady or the
gentleman

or if he knew
one
or if he knew
both

it was a shameful waste of
madhouse
time.

Charles Bukowski – one thirty six a m

I laugh sometimes when I think about
say
Céline at a typewriter
or Dostoevsky...
or Hamsun...
ordinary men with feet, ears, eyes,
ordinary men with hair on their heads
sitting there typing words
while having difficulties with life
while being puzzled almost to madness.

Dostoevsky gets up
he leaves the machine to piss,
comes back
drinks a glass of milk and thinks about
the casino and
the roulette wheel.

Céline stops, gets up, walks to the
window, looks out, thinks, my last patient
died today, I won't have to make any more
visits there.
when I saw him last
he paid his doctor bill;
it's those who don't pay their bills,
they live on and on.
Céline walks back, sits down at the
machine
is still for a good two minutes
then begins to type.
Hamsun stands over his machine thinking,
I wonder if they are going to believe
all these things I write?
he sits down, begins to type.
he doesn't know what a writer's block
is:
he's a prolific son-of-a-bitch
damn near as magnificent as
the sun.
he types away.

and I laugh
not out loud
but all up and down these walls, these
dirty yellow and blue walls
my white cat asleep on the
table
hiding his eyes from the
light.

he's not alone tonight
and neither am
I.

Charles Bukowski – Cows In Art Class

good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is
more stable:
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
on,
but a woman
is changed
by
children
age
diet
conversation
sex
the moon
the absence or
presence of sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself-
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
decide:
kill myself or
love myself?
which is the treason?
where's the information
coming from?
books...like broken glass:
I wouldn't wipe my ass with 'em
yet, it's getting
darker, see?
(we drink here and speak to
each other and
seem knowing.)
buy the cow with the biggest
tits
buy the cow with the biggest
rump.
present arms.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden piss of dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love to
go
on.

Charles Bukowski – Death Wants More Death

]

death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-
something sending it down its string,
the wet web,
toward the weak shield of buzzing,
the pulsing;
a last desperate moving hair-leg
there against the glass
there alive in the sun,
spun in white;
and almost like love:
the closing over,
the first hushed spider-sucking:
filling its sack
upon this thing that lived;
crouching there upon its back
drawing its certain blood
as the world goes by outside
and my temples scream
and I hurl the broom against them:
the spider dull with spider-anger
still thinking of its prey
and waving an amazed broken leg;
the fly very still,
a dirty speck stranded to straw;
I shake the killer loose
and he walks lame and peeved
towards some dark corner
but I intercept his dawdling
his crawling like some broken hero,
and the straws smash his legs
now waving
above his head
and looking
looking for the enemy
and somewhat valiant,
dying without apparent pain
simply crawling backward
piece by piece
leaving nothing there
until at last the red gut sack
splashes
its secrets,
and I run child-like
with God's anger a step behind,
back to simple sunlight,
wondering
as the world goes by
with curled smile
if anyone else
saw or sensed my crime

Charles Bukowski – Poem For My 43rd Birthday

To end up alone
in a tomb of a room
without cigarettes
or wine--
just a lightbulb
and a potbelly,
grayhaired,
and glad to have
the room.
...in the morning
they're out there
making money:
judges, carpenters,
plumbers, doctors,
newsboys, policemen,
barbers, carwashers,
dentists, florists,
waitresses, cooks,
cabdrivers...
and you turn over
to your left side
to get the sun
on your back
and out
of your eyes.

Charles Bukowski – Eulogy To A Hell Of A Dame

some dogs who sleep At night
must dream of bones
and I remember your bones
in flesh
and best
in that dark green dress
and those high-heeled bright
black shoes,
you always cursed when you drank,
your hair coming down you
wanted to explode out of
what was holding you:
rotten memories of a
rotten
past, and
you finally got
out
by dying,
leaving me with the
rotten
present;
you've been dead
28 years
yet I remember you
better than any of
the rest;
you were the only one
who understood
the futility of the
arrangement of
life;
all the others were only
displeased with
trivial segments,
carped
nonsensically about
nonsense;
Jane, you were
killed by
knowing too much.
here's a drink
to your bones
that
this dog
still
dreams about.

Charles Bukowski – Pull A String, A Puppet Moves

each man must realize
that it can all disappear very
quickly:
the cat, the woman, the job,
the front tire,
the bed, the walls, the
room; all our necessities
including love,
rest on foundations of sand -
and any given cause,
no matter how unrelated:
the death of a boy in Hong Kong
or a blizzard in Omaha ...
can serve as your undoing.
all your chinaware crashing to the
kitchen floor, your girl will enter
and you'll be standing, drunk,
in the center of it and she'll ask:
my god, what's the matter?
and you'll answer: I don't know,
I don't know ...

Charles Bukowski – Flophouse

you haven't lived
until you've been in a
flophouse
with nothing but one
light bulb
and 56 men
squeezed together
on cots
with everybody
snoring
at once
and some of those
snores
so
deep and
gross and
unbelievable-
dark
snotty
gross
subhuman
wheezings
from hell
itself.
your mind
almost breaks
under those
death-like
sounds
and the
intermingling
odors:
hard
unwashed socks
pissed and
shitted
underwear
and over it all
slowly circulating
air
much like that
emanating from
uncovered
garbage
cans.
and those
bodies
in the dark
fat and
thin
and
bent
some
legless
armless
some
mindless
and worst of
all:
the total
absence of
hope
it shrouds
them
covers them
totally.
it's not
bearable.
you get
up
go out
walk the
streets
up and
down
sidewalks
past buildings
around the
corner
and back
up
the same
street
thinking
those men
were all
children
once
what has happened
to
them?
and what has
happened
to
me?
it's dark
and cold
out
here.

Charles Bukowski – Rain Or Shine

the vultures at the zoo
(all three of them)
sit very quietly in their
caged tree
and below
on the ground
are chunks of rotten meat.
the vultures are over-full.
our taxes have fed them
well.

we move on to the next
cage.
a man is in there
sitting on the ground
eating
his own shit.
i recognize him as
our former mailman.
his favorite expression
had been:
"have a beautiful day."

that day i did

Charles Bukowski – Freedom

he drank wine all night of the
28th, and he kept thinking of her:
the way she walked and talked and loved
the way she told him things that seemed true
but were not, and he knew the color of each
of her dresses
and her shoes-he knew the stock and curve of
each heel
as well as the leg shaped by it.

and she was out again and when he came home, and
she'd come back with that special stink again,
and she did
she came in at 3 a.m in the morning
filthy like a dung eating swine
and
he took out a butchers knife
and she screamed
backing into the rooming house wall
still pretty somehow
in spite of love's reek
and he finished the glass of wine.

that yellow dress
his favorite
and she screamed again.

and he took up the knife
and unhooked his belt
and tore away the cloth before her
and cut off his balls.

and carried them in his hands
like apricots
and flushed them down the
toilet bowl
and she kept screaming
as the room became red

GOD O GOD!
WHAT HAVE YOU DONE?

and he sat there holding 3 towels
between his legs
no caring now whether she left or
stayed
wore yellow or green or
anything at all.

and one hand holding and one hand
lifting he poured
another wine

Charles Bukowski – Rhyming Poem

the goldfish sing all night with guitars,
and the whores go down with the stars,
the whores go down with the stars
I'm sorry, sir, we close at 4:30,
besides your mother's neck is dirty,
and the whores go down with the etc.
the whores. go down. with the etc.
I'm sorry jack you can't come back,
I've fallen in love with another sap,
34 Italian and 1 2 Jap,
and the whores go
the whores go
etc.

Charles Bukowski – Sway With Me

sway with me, everything sad --
madmen in stone houses
without doors,
lepers steaming love and song
frogs trying to figure
the sky;
sway with me, sad things --
fingers split on a forge
old age like breakfast shell
used books, used people
used flowers, used love
I need you
I need you
I need you:
it has run away
like a horse or a dog,
dead or lost
or unforgiving.

Charles Bukowski – Poetry

it

takes

a lot of

desperation

dissatisfaction

and

disillusion

to

write

a

few

good

poems.

it's not

for

everybody

either to

write

it

or even to

read

it.

Charles Bukowski – The Poetry Reading

at high noon

at a small college near the beach

sober

the sweat running down my arms

a spot of sweat on the table

I flatten it with my finger

blood money blood money

my god they must think I love this like the others

but it's for bread and beer and rent

blood money

I'm tense lousy feel bad

poor people I'm failing I'm failing

a woman gets up

walks out

slams the door

a dirty poem

somebody told me not to read dirty poems

here

it's too late.

my eyes can't see some lines

I read it

out-

desperate trembling

lousy

they can't hear my voice

and I say,

I quit, that's it, I'm

finished.

and later in my room

there's scotch and beer:

the blood of a coward.

this then

will be my destiny:

scrabbling for pennies in tiny dark halls

reading poems I have long since become tired

of.

and I used to think

that men who drove buses

or cleaned out latrines

or murdered men in alleys were

fools.

Charles Bukowski – His Wife The Painter

There are sketches on the walls of men and women and ducks,
and outside a large green bus swerves through traffic like
insanity sprung from a waving line; Turgenev, Turgenev,
says the radio, and Jane Austin, Jane Austin, too.
"I am going to do her portrait on the 28th, while you are
at work."
He is just this edge of fat and he walks constantly, he
fritters; they have him; they are eating him hollow like
a webbed fly, and his eyes are red-suckled with anger-fear.
He feels hatred and discard of the world, sharper than
his razor, and his gut-feel hangs like a wet polyp; and he
self-decisions himself defeated trying to shake his
hung beard from razor in water (like life), not warm enough.
Daumier. Rue Transonian, le 15 Avril, 1843. (lithograph.)
Paris, Bibliotheque Nationale.
"She has a face unlike that of any woman I have ever known."
"What is it? A love affair?"
"Silly. I can't love a woman. Besides, she's pregnant."
I can paint- a flower eaten by a snake; that sunlight is a
lie; and that markets smell of shoes and naked boys clothed,
and that under everything some river, some beat, some twist that
clambers along the edge of my temple and bites nip-dizzy. . .
men drive cars and paint their houses,
but they are mad; men sit in barber chairs; buy hats.
Corot. Recollection of Mortefontaine.
Paris, Louvre.
"I must write Kaiser, though I think he's a homosexual."
"Are you still reading Freud?"
"Page 299."
She made a little hThere are sketches on the walls of men and women and ducks,
and outside a large green bus swerves through traffic like
insanity sprung from a waving line; Turgenev, Turgenev,
says the radio, and Jane Austin, Jane Austin, too.
"I am going to do her portrait on the 28th, while you are
at work."
He is just this edge of fat and he walks constantly, he
fritters; they have him; they are eating him hollow like
a webbed fly, and his eyes are red-suckled with anger-fear.
He feels hatred and discard of the world, sharper than
his razor, and his gut-feel hangs like a wet polyp; and he
self-decisions himself defeated trying to shake his
hung beard from razor in water (like life), not warm enough.
Daumier. Rue Transonian, le 15 Avril, 1843. (lithograph.)
Paris, Bibliotheque Nationale.
"She has a face unlike that of any woman I have ever known."
"What is it? A love affair?"
"Silly. I can't love a woman. Besides, she's pregnant."
I can paint- a flower eaten by a snake; that sunlight is a
lie; and that markets smell of shoes and naked boys clothed,
and that under everything some river, some beat, some twist that
clambers along the edge of my temple and bites nip-dizzy. . .
men drive cars and paint their houses,
but they are mad; men sit in barber chairs; buy hats.
Corot. Recollection of Mortefontaine.
Paris, Louvre.
"I must write Kaiser, though I think he's a homosexual."
"Are you still reading Freud?"
"Page 299."
She made a little hat and he fastened two snaps under one
arm, reaching up from the bed like a long feeler from the
snail, and she went to church, and he thought now I h've
time and the dog.
About church: the trouble with a mask is it
never changes.
So rude the flowers that grow and do not grow beautiful.
So magic the chair on the patio that does not hold legs
and belly and arm and neck and mouth that bites into the
wind like the ned of a tunnel.
He turned in bed and thought: I am searching for some
segment in the air. It floats about the peoples heads.
When it rains on the trees it sits between the branches
warmer and more blood-real than the dove.
Orozco. Christ Destroying the Cross.
Hanover, Dartmouth College, Baker Library.
He burned away in his sleep.
at and he fastened two snaps under one
arm, reaching up from the bed like a long feeler from the
snail, and she went to church, and he thought now I h've
time and the dog.
About church: the trouble with a mask is it
never changes.
So rude the flowers that grow and do not grow beautiful.
So magic the chair on the patio that does not hold legs
and belly and arm and neck and mouth that bites into the
wind like the ned of a tunnel.
He turned in bed and thought: I am searching for some
segment in the air. It floats about the peoples heads.
When it rains on the trees it sits between the branches
warmer and more blood-real than the dove.
Orozco. Christ Destroying the Cross.
Hanover, Dartmouth College, Baker Library.
He burned away in his sleep.

Charles Bukowski – Show Biz

I can't have it
and you can't have it
and we won't
get it

so don't bet on it
or even think about
it

just get out of bed
each morning

wash
shave
clothe
yourself
and go out into
it

because
outside of that
all that's left is
suicide and
madness

so you just
can't
expect too much

you can't even
expect

so what you do
is
work from a modest
minimal
base

like when you
walk outside
be glad your car
might possibly
be there

and if it is-
that the tires
aren't
flat

then you get
in
and if it
starts--you
start.

and
it's the damndest
movie
you've ever
seen
because
you're
in it--

low budget
and
4 billion
critics

and the longest
run
you ever hope
for
is

one
day

Charles Bukowski – Another Day

having the low down blues and going

into a restaurant to eat.

you sit at a table.

the waitress smiles at you.

she's dumpy. her ass is too big.

she radiates kindness and sympathy.

live with her 3 months and a man would no real agony.

o.k., you'll tip her 15 percent.

you order a turkey sandwich and a

beer.

the man at the table across from you

has watery blue eyes and

a head like an elephant.

at a table further down are 3 men

with very tiny heads

and long necks

like ostriches.

they talk loudly of land development.

why, you think, did I ever come

in here when I have the low-down

blues?

then the the waitress comes back with the sandwich

and she asks you if there will be anything

else?

and you tell her, no no, this will be

fine.

then somebody behind you laughs.

it's a cork laugh filled with sand and

broken glass.

you begin eating the sandwich.

it's something.

it's a minor, difficult,

sensible action

like composing a popular song

to make a 14-year old

weep.

you order another beer.

jesus, look at that guy

his hands hang down almost to his knees and he's

whistling.

well, time to get out.

pick up the bill.

tip.

go to the register.

pay.

pick up a toothpick.

go out the door.

your car is still there.

and there are 3 men with heads

and necks

like ostriches all getting into one

car.

they each have a toothpick and now

they are talking about women.

they drive away first

they drive away fast.

they're best i guess.

it's an unbearably hot day.

there's a first-stage smog alert.

all the birds and plants are dead

or dying.

you start the engine.

Charles Bukowski – How Is Your Heart?

during my worst times
on the park benches
in the jails
or living with
whores
I always had this certain
contentment-
I wouldn't call it
happiness-
it was more of an inner
balance
that settled for
whatever was occurring
and it helped in the
factories
and when relationships
went wrong
with the
girls.
it helped
through the
wars and the
hangovers
the back alley fights
the
hospitals.
to awaken in a cheap room
in a strange city and
pull up the shade-
this was the craziest kind of
contentment

and to walk across the floor
to an old dresser with a
cracked mirror-
see myself, ugly,
grinning at it all.
what matters most is
how well you
walk through the
fire.