Thomas Stearns Eliot – Rhapsody on a Windy Night

Twelve o clock.

Along the reaches of the street

Held in a lunar synthesis,

Whispering lunar incantations

Dissolve the floors of memory

And all its clear relations

Its divisions and precisions,

Every street lamp that I pass

Beats like a fatalistic drum,

And through the spaces of the dark

Midnight shakes the memory

As a madman shakes a dead geranium.

Half-past one,

The street-lamp sputtered,

The street-lamp muttered,

The street-lamp said, ³Regard that woman

Who hesitates towards you in the light of the door

Which opens on her like a grin.

You see the border of her dress

Is torn and stained with sand,

And you see the corner of her eye

Twists like a crooked pin.

The memory throws up high and dry

A crowd of twisted things;

A twisted branch upon the beach

Eaten smooth, and polished

As if the world gave up

The secret of its skeleton,

Stiff and white.

A broken spring in a factory yard,

Rust that clings to the form that the strength has left

Hard and curled and ready to snap.

Half-past two,

The street lamp said,

³Remark the cat which flattens itself in the gutter,

Slips out its tongue

And devours a morsel of rancid butter.

So the hand of the child, automatic,

Slipped out and pocketed a toy that was running along the quay.

I could see nothing behind that child¹s eye.

I have seen eyes in the street

Trying to peer through lighted shutters,

And a crab one afternoon in a pool,

An old crab with barnacles on his back,

Gripped the end of a stick which I held him.

Half-past three,

The lamp sputtered,

The lamp muttered in the dark.

The lamp hummed:

³Regard the moon,

La lune ne guarde aucune rancune,

She winks a feeble eye,

She smiles into corners.

She smooths the hair of the grass.

The moon has lost her memory.

A washed-out smallpox cracks her face,

Her hand twists a paper rose,

That smells of dust and eau de Cologne,

She is alone

With all the old nocturnal smells

That cross and cross across her brain.

The reminiscence comes

Of sunless dry geraniums

And dust in crevices,

Smells of chestnuts in the streets,

And female smells in shuttered rooms,

And cigarettes in corridors

And cocktail smells in bars.

The lamp said,

Four o clock,

Here is the number on the door.

Memory!

You have the key,

The little lamp spreads a ring on the stair.

Mount.

The bed is open; the tooth-brush hangs on the wall,

Put your shoes at the door, sleep, prepare for life.

The last twist of the knife.

Thomas Stearns Eliot – The Rum Tum Tugger

The Rum Tum Tugger is a Curious Cat:

If you offer him pheasant he would rather have grouse.

If you put him in a house he would much prefer a flat,

If you put him in a flat then he'd rather have a house.

If you set him on a mouse then he only wants a rat,

If you set him on a rat then he'd rather chase a mouse.

Yes the Rum Tum Tugger is a Curious Cat--

And there isn't any call for me to shout it:

For he will do

As he do do

And there's no doing anything about it!

The Rum Tum Tugger is a terrible bore:

When you let him in, then he wants to be out;

He's always on the wrong side of every door,

And as soon as he's at home, then he'd like to get about.

He likes to lie in the bureau drawer,

But he makes such a fuss if he can't get out.

Yes the Rum Tum Tugger is a Curious Cat--

And there isn't any use for you to doubt it:

For he will do

As he do do

And there's no doing anything about it!

The Rum Tum Tugger is a curious beast:

His disobliging ways are a matter of habit.

If you offer him fish then he always wants a feast;

When there isn't any fish then he won't eat rabbit.

If you offer him cream then he sniffs and sneers,

For he only likes what he finds for himself;

So you'll catch him in it right up to the ears,

If you put it away on the larder shelf.

The Rum Tum Tugger is artful and knowing,

The Rum Tum Tugger doesn't care for a cuddle;

But he'll leap on your lap in the middle of your sewing,

For there's nothing he enjoys like a horrible muddle.

Yes the Rum Tum Tugger is a Curious Cat--

And there isn't any need for me to spout it:

For he will do

As he do do

And theres no doing anything about it!

Thomas Stearns Eliot – Eyes That Last I Saw In Tears

Eyes that last I saw in tears

Through division

Here in death's dream kingdom

The golden vision reappears

I see the eyes but not the tears

This is my affliction

This is my affliction

Eyes I shall not see again

Eyes of decision

Eyes I shall not see unless

At the door of death's other kingdom

Where, as in this,

The eyes outlast a little while

A little while outlast the tears

And hold us in derision.

Thomas Stearns Eliot – The Boston Evening Transcript

The readers of the Boston Evening Transcript

Sway in the wind like a field of ripe corn.

When evening quickens faintly in the street,

Wakening the appetites of life in some

And to others bringing the Boston Evening Transcript,

I mount the steps and ring the bell, turning

Wearily, as one would turn to nod good-bye to Rochefoucauld,

If the street were time and he at the end of the street,

And I say, "Cousin Harriet, here is the Boston Evening Transcript."

Thomas Stearns Eliot – Hysteria

As she laughed I was aware of becoming involved in her

laughter and being part of it, until her teeth were

only accidental stars with a talent for squad-drill. 

I was drawn in by short gasps, inhaled at each momentary

recovery, lost finally in the dark caverns of her

throat, bruised by the ripple of unseen muscles. 

An elderly waiter with trembling hands was hurriedly

spreading a pink and white checked cloth over the rusty

green iron table, saying: "If the lady and gentleman

wish to take their tea in the garden, if the lady and

gentleman wish to take their tea in the garden ..." 

I decided that if the shaking of her breasts could be

stopped, some of the fragments of the afternoon might

be collected, and I concentrated my attention with

careful subtlety to this end.