Thomas Stearns Eliot – Rhapsody on a Windy Night

Thomas Stearns Eliot-Rhapsody on a Windy Night


Twelve o clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.

Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, ³Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.

The memory throws up high and dry
A crowd of twisted things;

A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.

Half-past two,
The street lamp said,
³Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.
So the hand of the child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child¹s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.

Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
³Regard the moon,
La lune ne guarde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.

The lamp said,
Four o clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.

The last twist of the knife.

Sylvia Plath – Mirror

Sylvia Plath-Mirror


I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful‚
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

Sylvia Plath – I Want, I Want

Sylvia Plath-I Want, I Want


Open-mouthed, the baby god
Immense, bald, though baby-headed,
Cried out for the mother's dug.
The dry volcanoes cracked and split,

Sand abraded the milkless lip.
Cried then for the father's blood
Who set wasp, wolf and shark to work,
Engineered the gannet's beak.

Dry-eyed, the inveterate patriarch
Raised his men of skin and bone,
Barbs on the crown of gilded wire,
Thorns on the bloody rose-stem.

Mary Elizabeth Coleridge – Larghetto

Mary Elizabeth Coleridge-Larghetto


Grant me but a day, love,
But a day,
Ere I give my heart,
My heart away,
Ere I say the word
I'll ne'er unsay.

Is it earnest with me?
Is it play?
Did the world in arms
Cry to me, "Stay!"
Not a moment then
Would I delay.

Yet, for very love,
I say thee nay.
Ere I give my heart,
My heart away,
Grant me but a day, love,
But a day

Khalil Gibran – Death XXVII

Kahlil Gibran-Death XXVII


Then Almitra spoke, saying, "We would ask now of Death."
And he said:
You would know the secret of death.
But how shall you find it unless you seek it in the heart of life?
The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light.
If you would indeed behold the spirit of death, 
Open your heart wide unto the body of life.
For life and death are one, 
Even as the river and the sea are one.
In the depth of your hopes and desires lies your silent knowledge of the beyond;
And like seeds dreaming beneath the snow your heart dreams of spring.
Trust the dreams, for in them is hidden the gate to eternity.
Your fear of death is but the trembling of the shepherd when he stands before 
The king whose hand is to be laid upon him in honour.
Is the shepherd not joyful beneath his trembling, 
That he shall wear the mark of the king?
Yet is he not more mindful of his trembling?
For what is it to die but to stand naked in the wind and to melt into the sun?
And what is to cease breathing, 
But to free the breath from its restless tides, 
That it may rise and expand and seek God unencumbered?
Only when you drink from the river of silence shall you indeed sing.
And when you have reached the mountain top, 
Then you shall begin to climb.
And when the earth shall claim your limbs, then shall you truly dance.