Charlotte Mew – Ken

Charlotte Mew-Ken


The town is old and very steep
    A place of bells and cloisters and grey towers,
And black-clad people walking in their sleep—
     A nun, a priest, a woman taking flowers
     To her new grave; and watched from end to end
     By the great Church above, through the still hours:
         But in the morning and the early dark
The children wake to dart from doors and call
Down the wide, crooked street, where, at the bend,
         Before it climbs up to the park,
Ken’s is in the gabled house facing the Castle wall.
 
When first I came upon him there
Suddenly, on the half-lit stair,
I think I hardly found a trace
Of likeness to a human face
     In his. And I said then
If in His image God made men,
Some other must have made poor Ken—
But for his eyes which looked at you
As two red, wounded stars might do.
 
He scarcely spoke, you scarcely heard,
His voice broke off in little jars
To tears sometimes. An uncouth bird
     He seemed as he ploughed up the street,
Groping, with knarred, high-lifted feet
     And arms thrust out as if to beat
          Always against a threat of bars.
 
     And oftener than not there’d be
     A child just higher than his knee
Trotting beside him. Through his dim
     Long twilight this, at least, shone clear,
     That all the children and the deer,
        Whom every day he went to see
Out in the park, belonged to him.
 
         “God help the folk that next him sits
         He fidgets so, with his poor wits,”
The neighbours said on Sunday nights
When he would go to Church to “see the lights!”
     Although for these he used to fix                                                          
     His eyes upon a crucifix
     In a dark corner, staring on
    Till everybody else had gone.
    And sometimes, in his evil fits,
You could not move him from his chair—
You did not look at him as he sat there,
     Biting his rosary to bits.
While pointing to the Christ he tried to say,
    “Take it away”.
 
     Nothing was dead:
He said “a bird” if he picked up a broken wing,
     A perished leaf or any such thing
     Was just “a rose”; and once when I had said
  He must not stand and knock there any more,
  He left a twig on the mat outside my door.
 
     Not long ago
The last thrush stiffened in the snow,
    While black against a sullen sky
       The sighing pines stood by.
But now the wind has left our rattled pane
To flutter the hedge-sparrow’s wing,
The birches in the wood are red again
       And only yesterday
The larks went up a little way to sing
       What lovers say
   Who loiter in the lanes to-day;
   The buds begin to talk of May
   With learned rooks on city trees,
        And if God please
       With all of these
We, too, shall see another Spring.
 
But in that red brick barn upon the hill
    I wonder—can one own the deer,
And does one walk with children still
        As one did here?
        Do roses grow
Beneath those twenty windows in a row—
        And if some night
When you have not seen any light
They cannot move you from your chair
        What happens there?
         I do not know.
 
       So, when they took
Ken to that place, I did not look
After he called and turned on me
His eyes. These I shall see—

George Gordon Byron – from Don Juan: Canto 1, Stanzas 47-48

Lord George Gordon Byron – from Don Juan: Canto 1, Stanzas 47-48


47
Sermons he read, and lectures he endured,
   And homilies, and lives of all the saints;
To Jerome and to Chrysostom inured,
   He did not take such studies for restraints;
But how faith is acquired, and then insured,
   So well not one of the aforesaid paints
As Saint Augustine in his fine Confessions,
Which make the reader envy his transgressions.
 
48
This, too, was a seal'd book to little Juan—
   I can't but say that his mamma was right,
If such an education was the true one.
   She scarcely trusted him from out her sight;
Her maids were old, and if she took a new one
   You might be sure she was a perfect fright,
She did this during even her husband's life—
I recommend as much to every wife.

George Gordon Byron – Dear Doctor, I have Read your Play

Lord George Gordon Byron – Dear Doctor, I have Read your Play


John Murray

Dear Doctor, I have read your play,
Which is a good one in its way,
Purges the eyes, and moves the bowels,
And drenches handkerchiefs like towels
With tears that, in a flux of grief,
Afford hysterical relief
To shatter'd nerves and quicken'd pulses,
Which your catastrophe convulses.
I like your moral and machinery;
Your plot, too, has such scope for scenery!
Your dialogue is apt and smart;
The play's concoction full of art;
Your hero raves, your heroine cries,
All stab, and everybody dies;
In short, your tragedy would be
The very thing to hear and see;
And for a piece of publication,
If I decline on this occasion,
It is not that I am not sensible
To merits in themselves ostensible,
But—and I grieve to speak it—plays
Are drugs—mere drugs, Sir, nowadays.
I had a heavy loss by Manuel —
Too lucky if it prove not annual—
And Sotheby, with his damn'd Orestes
(Which, by the way, the old bore's best is),
Has lain so very long on hand
That I despair of all demand;
I've advertis'd—but see my books,
Or only watch my shopman's looks;
Still Ivan, Ina and such lumber
My back-shop glut, my shelves encumber.
There's Byron too, who once did better,
Has sent me—folded in a letter—
A sort of—it's no more a drama
Than Darnley, Ivan or Kehama:
So alter'd since last year his pen is,
I think he's lost his wits at Venice,
Or drain'd his brains away as stallion
To some dark-eyed and warm Italian;
In short, Sir, what with one and t'other,
I dare not venture on another.
I write in haste; excuse each blunder;
The coaches through the street so thunder!
My room's so full; we've Gifford here
Reading MSS with Hookham Frere,
Pronouncing on the nouns and particles
Of some of our forthcoming articles,
The Quarterly—ah, Sir, if you
Had but the genius to review!
A smart critique upon St. Helena,
Or if you only would but tell in a
Short compass what—but, to resume;
As I was saying, Sir, the room—
The room's so full of wits and bards,
Crabbes, Campbells, Crokers, Freres and Wards,
And others, neither bards nor wits—
My humble tenement admits
All persons in the dress of Gent.,
From Mr. Hammond to Dog Dent.
A party dines with me today,
All clever men who make their way:
Crabbe, Malcolm, Hamilton and Chantrey
Are all partakers of my pantry.
They're at this moment in discussion
On poor De Staël's late dissolution.
Her book, they say, was in advance—
Pray Heaven she tell the truth of France!
'Tis said she certainly was married
To Rocca, and had twice miscarried,
No—not miscarried, I opine—
But brought to bed at forty nine.
Some say she died a Papist; some
Are of opinion that's a hum;
I don't know that—the fellow, Schlegel,
Was very likely to inveigle
A dying person in compunction
To try the extremity of unction.
But peace be with her! for a woman
Her talents surely were uncommon.
Her publisher (and public too)
The hour of her demise may rue,
For never more within his shop he—
Pray—was she not interr'd at Coppet?
Thus run our time and tongues away;
But, to return, Sir, to your play;
Sorry, Sir, but I cannot deal,
Unless 'twere acted by O'Neill.
My hands are full—my head so busy,
I'm almost dead—and always dizzy;
And so, with endless truth and hurry,
Dear Doctor, I am yours,

Rabindranath Tagore – The Gardener 79

Rabindranath Tagore-The Gardener 79


I often wonder where lie hidden
the boundaries of recognition between
man and the beast whose heart knows
no spoken language.
Through what primal paradise in a
remote morning of creation ran the
simple path by which their hearts
visited each other.
Those marks of their constant tread
have not been effaced though their
kinship has been long forgotten.
Yet suddenly in some wordless
music the dim memory wakes up
and the beast gazes into the man's
face with a tender trust, and the
man looks down into its eyes with
amused affection.
It seems that the two friends meet
masked, and vaguely know each other
through the disguise.

Wilfred Owen – Soldier's Dream

 Wilfred Owen – Soldier's Dream


I dreamed kind Jesus fouled the big-gun gears;
And caused a permanent stoppage in all bolts;
And buckled with a smile Mausers and Colts;
And rusted every bayonet with His tears.

And there were no more bombs, of ours or Theirs,
Not even an old flint-lock, not even a pikel.
But God was vexed, and gave all power to Michael;
And when I woke he'd seen to our repairs.